Venice Flying Carousel
A human powered, Venice themed, hand carved, ingenious, interactive kinetic sculpture, aka a carousel.
Missouri Tall Grass
A sculptural installation on the riverfront, just upstream from the Gateway Arch 1999
Downtown Beautification Award . Downtown St Louis, Inc 1999
12 Blades 5' - 10' tall by 5" tapered diameters, steel reinforced concrete with glass and mirror mosaic
As the dense forests of the East gave way to the Tall Grass Prairie, pioneers were able to traverse, homestead, and cultivate the land. Thus St. Louis' distinction as the "Gateway to the West." Today, the Tall Grass Prairie, its natural resources and native animals are endangered. This installation sparkles and glistens, like an abstract sea of Missouri Tall Grass.
The Cha Cha Cha
Napa Valley Riverfront, Napa, California 2011
People's Choice Award 2013
I sculpted The Cha Cha Cha in response to Napa's call for Kinetic Art. My mapping of dance steps elicits memories, inspires rhythm and engages passersby to create their own kinetic motion: to dance.
1/4" stainless steel, polished & engraved x 4' wide x 6' long mounted flush on the city sidewalk for pedestrians to discover and dance
I installed a similar Cha Cha Cha in Houston, TX and painted multiple Dance Steps in Venice, CA
A little cha-cha-cha, anyone?
J.L. Sousa/Register
Using stainless steel feet embedded in the sidewalk as her guide, Sarah Mulhall of Chicago attempts to dance the cha-cha-cha in September 2013 as her fiance Tom De Weerdt takes her photo. This artwork has been donated to the Riverfront by artist Robin Murez. J.L. Sousa/Register
All day, every day, people strolling along Main Street in front of the Riverfront suddenly pause, then attempt a little cha-cha-cha.
For this, you can credit Robin Murez, the Southern California artist who three years ago embedded stainless steel footsteps, with diagrammatic instructions, on how to do the infectious Cuban dance.
Pedestrians can’t resist the dance steps, Murez said. “It gets people moving and it is moving in ways spiritual and fun,” she said.
Her work, titled “Cha Cha Cha,” was originally installed as part of Napa ARTwalk — a temporary exhibit of public art scattered throughout downtown Napa. It won that year’s People’s Choice Award.
When the exhibit’s two-year run was over, every artist was expected to remove their work to make room for a new crop of art, but Murez wanted “Cha Cha Cha” to remain.
Murez has created public art for numerous California communities, but few works have achieved the crowd-pleasing success of “Cha Cha Cha,” with its ability to inject a moment of silly pleasure into the lives of passersby, she said.
Her dance steps seem particularly fitting for downtown Napa, which she described as a “sophisticated tourist destination.”
Murez said she wanted to donate “Cha Cha Cha” so it could stay in Napa permanently, but ran into several bureaucratic hurdles. For one, the rules for Napa ARTwalk required removal after two years so new works can be installed.
In September, Murez said she came up to Napa with power tools and prepared to remove “Cha Cha Cha,” only every time she walked back to her vehicle, passersby intruded into her work zone and started doing the moves.
Then Marie Lyall emerged from Scott Lyall Shoes at the Riverfront and pleaded with her to stop.
“I didn’t know the legal logistics,” Marie Lyall said. “I was going straight from the heart as a merchant.”
“It’s an attraction,” she said of “Cha Cha Cha.” “Everyone who passes it — pretty much every single person — stops and tries to figure out what it is.”
“The funny thing is to watch it after 9 o’clock (at night) after all the wine people have had. It’s hysterical.”
Lyall’s advocacy helped secure the retention of “Cha Cha Cha.” Murez said she donated the work to the Riverfront and agreed to indemnify everyone in case there were ever a liability issue.
Mayor Jill Techel said she’s a big fan of “Cha Cha Cha,” succumbing to its lure whenever she walks by. “I need those metal footprints to make it happen,” she said.
City Museum
City Museum
St Louis, Missouri 1999 - present
An eclective & interactive grand installation
We built it and they came... and keep coming. I collaborated with Bob Cassilly - just doing whatever we felt like - having a blast - using whatever materials he had around. He had mirrors salvaged from department stores - I took apart a little kaleidoscope and said let's make it big. My sculpture and glass blowing studio was a museum exhibit where the public could watch, be mesmerized, and make their own art. The Museum bought me out in 2000.
"...a three story monument to unbridled creativity - two parts playground, one part hands-on art show." AP/Chicago Sun-Times 8/22/02
"...a fantasia.." People Magazine 12/8/97
"Not so much a museum, as a playground for your creative spirit." St Louis Area Family Gazette 9/1998
Voted: "Best For All - a day or two of zany fun." National Geographic Traveler July/August 1999
"The City Museum Knocks Our Socks Off" Association of Children's Museums 2001
"...as hysterical as it is historical." National Geographic Traveler July/August 2000
"a nutritious banquet for all the senses. Eat up!" The St. LouisSenior Circuit, 2000
"...outstanding..." The Telegraph 11/10/02
AWARDS
- "Great Places in the World" - Project for Public Places 2004
- American Institute of Architects Award for Craftsmanship 2000
- Cityscape Award - Downtown St Louis Inc. 2000
- Pierre Laclede Award - StL 2004
- Energy Achievement Award - Creative Vision 2000
- Missouri Coalition for the Environment Award 2000
- Better Downtown Award - Downtown St Louis Inc. 2000
- 100 Leaders for the Millennium Sold on St Louis Award 2000
The Oakland Children's Zoo
An interactive sculptural installation for the entry plaza, pathways & secret places throughout the Oakland Children's Zoo.
Bronze & concrete (gunnite on site) 2005
"Tall Grass Habitat"
- "I love the Blades, they are sensational and ingenious."
Patricial Yollin. The San Francisco Chronicle, June 26, 2005 - "They're great!"
Larry White, MIG Project Architects - "Just wonderful... Murez' Blades are reminiscent of Giacometti and Louise Bourgeois."
Ted Macauley,
The Washington Times, June 20, 2005
An Abstract Grassland Installation
An installation of two dozen abstract bronze grass blades with macroscopic textures and details 4"x3"x14' form an imaginary Tall Grass Habitat.
The height draws attention from afar. The forms raise questions, "What are those things?" The feel is solid, yet buttery soft. The color is elegant, a classic teal patina with golden polished elements. The texture reveals details and inspires the senses.
An Abstract Grassland Installation
An installation of two dozen abstract bronze grass blades with macroscopic textures and details 4"x3"x14' form an imaginary Tall Grass Habitat.
The height draws attention from afar. The forms raise questions, "What are those things?" The feel is solid, yet buttery soft. The color is elegant, a classic teal patina with golden polished elements. The texture reveals details and inspires the senses.
Entry Plaza, Pathways & Secret Places
The Big Bronze Bugs
- "It sets the tone of discovery... and runs through the whole area,"
Dr. Joel Parrot, Director, The Oakland Zoo
The San Francisco Chronicle, June 25, 2005
An installation of 1000 cast bronze oversized bugs (giant ants 2-1/2" long) embedded in the Entry Plaza, walkways, and secret places throughout the Oakland Children's Zoo for children, and others, to discover.
Snakes in the Grass
"I want to come in!"...Artist Robin Murez hears the exciting shrills of children at her Entry Plaza ...a crossing so magnetic many people just stop and stare..."
Laura Casey, The Oakland Tribune, July 11, 2005
Two (30' long x 20" diameter) concrete snakes frame the entry plaza, slithering over ground, under a creek, and around the bronze blades and giant amphibian eggs, providing seating, climbing and serpentine challenges. Steel reinforced concrete sculpted, incised and pigmented on site.
Francis Park Reflecting Pond
Voted: Best Public Park
"The focus is the Lily Pond promenade...In center court, placidly reading a book, is Her Majesty Francine the Mermaid, flanked by two dragon thrones...This royal whimsy is the soul of the place, and homespun urbanity is the heart." Best Public Park, 2005 St. Louis Riverfront Times - Annual Reader Poll
A dozen sculptures in and around the pond. Concrete, copper, bronze, mosaic marble & glass. St Louis Hills, Missouri 2002, 2004 & 2008
Pictured: 2 Dragon Thrones, Giant Heart, Dragon on a Spire & Mermaid.
Other: Frogs & Frog Prince, Blades, Gargoyle & 4 Big Mosaic Spheres
Anamorphic Sculptural Portraits
A Magical Rendering of a Portrait
An unrecognizable image is created on the base. When its reflection is viewed on a polished column, the image magically transforms into the portrait of a person who brought magic to the world.
The portrait is visible from all angles. It moves with the viewer, and he/she sees their own reflection together with the portrait.
Robert Mondavi Reflected
48 inch diameter marble and granite mosaic base with 4 inch x 15 inch tall stainless steel cylinder.
Napa Wine Fest 2013
Abbot Kinney Reflected
11 foot diameter epoxy painting on the sidewalk with a 14 inch diameter x 6 foot tall stainless steel column. Electric @ San Juan Street, Venice, CA 2013
The Venice Camel Snapshot
Once upon a time... about 100 years ago, a man named Abbot Kinney created a beachfront town called Venice of America.
It was a mash up of Venice, Italy and Coney Island: with canals, Italian architecture, poets, musicians, artists, a miniature train, wild roller coasters, grand dance halls, huge salt water swimming pools, colorful carousels, crazy attractions.....and live CAMEL rides.
In celebration of Venice's forever artistic and exotic spirit, I've recreated the historic snapshot in life sized COLORIZED SCULPTURES.
See them now strolling along 600 Main Street. 2015
The Winged Lion Symbol of the Republic of Venice
Abbot Kinney created Venice of America as a mash up of Venice, Italy and Coney Island. He created romantic canals, built Italian architecture, and brought wild amusement rides to make his fantastic, seaside town of art and amusement. 12" x 8" x 5" welded steel lion
See The Lion Flaps It's Wings
CRANK THE KNOB to FLAP THE WINGS and CHEER "BRAVO!"
In Venice, Italy,
The tablet held by The Winged Lion,
The St Mark Lion, reads:
"Pax Tibi"
Latin: Peace Be With You
Blogtown's Review : The People's Republic of Venice
Robin Murez 2014
Review by BlogtownFlipping Coins And Flapping Wings On Abbot Kinney
Friday, January 9, 2015
I returned back to Venice to discover two new public art pieces by Robin Murez of Venice Public Art up on Abbot Kinney Boulevard, adding to her ever-growing collection of works to honor our town's origins. My favorite has always been the Wheel Of Fortune at The Green House Smoke Shop, but these new ones are pretty great too.
If you pass by the Alternative Apparel shop, you can stop and flip the coin, just like Abbot Kinney did to win his piece of swamp land that became our beloved Venice.
The explanation part is already pretty sun-bleached or something, but you can kind of read the story of how Abbot Kinney won his land in a coin toss. He chose the swampy part, which everyone thought was lame, but he had a vision and a dream and he made Venice. So there.
A short amble up the block and you can flap the wings of the Winged Lion in front of the Roots (chain) store. The Winged Lion is a symbol of "The Republic Of Venice" (which we like to call The PEOPLE'S Republic Of Venice), and we should all pause to reflect and give a flap to acknowledge his splendor.
The Coin Toss
A Persistence of Vision Thaumatrope Sculpture
Once Upon A Time, about a hundred years ago, Mr. Abbot Kinney, and a partner, owned all of the land from Ocean Park, Santa Monica to Marina del Rey. They began building a city in Ocean Park, including roads, homes, hotels and an amusement pier. Ocean Park was good, stable, land. South of Ocean Park the land was a “swamp.”
When Kinney’s partner was replaced, the new partner didn’t share Kinney’s vision. To sever the partnership and split the parcel they agreed to Toss a Coin.
Kinney won the Coin Toss, and chose the “swamp.” His partner said: “See, I told you he was crazy!”
But Abbot Kinney had a grander vision for creating an unique community by the sea: he dredged the swamp to create canals, built Venetian architecture, a salt water plunge, a dance hall, piers, wild amusement rides, and much more. It was VENICE OF AMERICA, Kinney’s mash-up of Venice, Italy and Coney Island.
FLIP my “coin,” to see Abbot Kinney Toss the Coin and become the Gondolier of Venice Beach. May his creative genius rub off on us all.
8" x 8" x 2" soldered copper Coin, with steel frame, sign & post
Robin Murez 2014
1337 Abbot Kinney Boulevard, Venice, CA
The Charlie Chaplin Zoetrope
Zoetropes were the start of moving pictures ...And Venice, CA has been a part of movie making since the inception.
My Chaplin Zoetrope celebrates this historic and contemporary land of movie making.
Charlie Chaplin first portrayed the Little Tramp in "Kid Auto Races in Venice," filmed in 1914 at Main & Westminster Streets in Venice. It was his second ever film.
14" diameter x 14" tall steel drum with bearings and interior images on vinyl, 2013. Site: 1416 Abbot Kinney Boulevard. Commissioned by Caudalie
The Main Street, aka Coral Canal, PEEP HOLE BOX
Peek inside to discover Venice of America, as created by Mr. Abbot Kinney.
This is Main Street circa 1910. It was the romantic CORAL CANAL, a scenic waterway with gondolas, gardens and, in the distance, the wild RACE THROUGH THE CLOUDS ROLLER COASTER on the banks of the Lagoon.
Take a peek. Be transported. Enjoy the ride.
12 inch x 5 inch x 4 inch welded steel with plexiglass, copper and printed vinyl 2013
The Canals Overlay
I've painted pretty little BLUE WAVES splashing along the roads that were originally The Kinney Company's canals.
Still to come: WAVES on all the original canal streets, occasional GONDOLAS and STREET SIGNS providing the former canal names.
In 1924, four years after the City of Los Angeles acquired Venice, the canals were filled in and paved over, despite the objections of residents. They had been romantic waterways lined with craftsman homes and lush gardens. The tidal flow needed improvement and automobiles were tauted to replace the existing and effecient mass transit: Trolley Cars, a Miniature Train & Gondola's.
The canals which remain today in Venice, were spared by the shortage of funds, caused by the Great Depression.
Stenciled acrylic paint on miles of street pavement 2013
Windward Circle - The Venice Lagoon
Windward Avenue - Lion Canal
Market Street -Aldebaren Canal
San Juan Street - Venus Canal
Cabrillo Avenue - Cabrillo Canal
Main Street - Coral Canal
Grand Avenue - Grand Canal
Altair Street - Altair Canal
Venice Public Art Murals
Camel Rides in Venice c1910
8 feet x 10 feet wheatpaste on side wall
Mr. Abbot Kinney on His Boulevard
8 feet tall x 30 feet wide wheatpaste on construction wall
Abbot Kinney Boulevard, Venice CA 2013
Commissioned by Blueprint
Kinney Tabor House
A moire animation
Mr. Kinney bequeathed his home to his chauffeur and close friend, Mr. Tabor. Mr. Tabor was Black. The house was on, what was then, Grand Canal. In 1920, Blacks were not permitted to live on the Canals.
So, Mr. Tabor cut the house into three pieces and used mules to move it to the Oakwood neighborhood of Venice… where it stands today as an Historic Landmark.
LIFT & SHIFT to see the mule moving that three part house along a bumpy route. 15 Years at 1209 AKB
Big Heart
Glass mosaic big heart in front of Westminster Elementary School, Abbot Kinney Blvd. 2016-2022
Mosaic Heart in Francis Park reflecting pool 2004 - present St. Louis, MO
Wheel of Fortune
Find your fortune on Abbot Kinney Blvd
My Wheel takes you to the mirth, mystery and mayhem of Abbot Kinney's original MIDWAY PLAISANCE on the banks of The Lagoon c1906, now Windward Circle.
Abbot Kinney brought amusements from the Chicago Worlds Fair via the Louis & Clark Expo in St. Louis. They included Temple of Mirth, Chicken House, Streets of Cairo and Darkness & Dawn, based upon Dante's inferno.
Formerly @1428 Abbot Kinney Blvd.
Venice Public Art Gallery
Pencil, paper, frame and gallery space provided to create and show your artwork on ever trendy Abbot Kinney Boulevard! Quite a popular attraction @ANOTHER KIND OF SUNRISE a wonderful little cafe snuck in-between buildings on the Boulevard 2015 - 2020
Self Portrait Mural on Studio Fence
8 feet tall x 30 feet wide acrylic on plastic lattice 2013-present
Astro Rides!
In front of Robin's self portrait on her studio fence. 2935 Main Street, Ocean Park, Santa Monica 2013-2016
Robin's Sculpture Garden
Robin's Sculpture Garden
I sculpted my previous studio with an earthworks amphitheater and lush tropical gardens. In addition to my sculpting on site, it was a sculpture garden, performance and event space. I hosted concerts accompanied by aerialists dancing in the sky, from the 30 foot trapeze, circus arts, dance and theatrical performances and pet adoptions. 1632 Abbot Kinney Boulevard, Venice 2000 - 2014
Links to live performances @ Robin's Sculpture Garden
by the brilliant Tommy Santee Klaws 2006 - 2014
"Sweetness" part 1(opens in new tab)(opens in new tab) & part 2
(opens in new tab)"Late Bloomer" 2011
"Straight Lines" 2011(opens in new tab)
"Sweetness" part 1
"Sweetness" part 2
"Late Bloomer" 2011
"Straight Lines" 2011
VIDEO Suspended Ballet by Darwin Carlisle 2014
Painted Buses
Open Temple Mini Bus painted in Peter Max style
1416 Electric Avenue and around town 2018 - present

MetroLink Bus St. Louis, MO: Mermaid and Bard Paintings for the People Project 2001
Mr. Abbot Kinney Reflected
Mr. Abbot Kinney Reflected - anamorphic sculptural portrait.
You are NOT looking at an upright painting. The sidewalk painting is magically transformed onto the vertical column...like the magic that Mr. Abbot Kinney.created. 10 foot diameter Epoxy painting on the sidewalk with 6 foot tall x 10 inch diameter stainless steel column.
Electric Ave @ San Juan & 5th St. 2013 to present
Centennial Park Mosaic Balls
Urban sculptural seating with Venice imagery: The Winged St Mark Lion, Tongva Turtles, Ray Bradbury Rocket Ships, and the Carnival Ball. Adjacent stainless steel plaques tell the stories. 2015 - present. Centennial Park: Venice Blvd btw Abbot Kinney & Ocean Ave.
Big Bronze Bugs in Tillis Park
An artistic solution to prevent skateboard damage... that kids, and everybody, love.
100 cast bronze 3" long X 2 1/2" wide ants, flies, ladybugs and butterflies, embedded in the seat wall, boulders and water feature.
Tillis Park, Ladue, Missouri 2006
Venice Corner Ball Park
An earthworks corner park paying homage to the Venice Tigers. The story of our Minor League Baseball Team is painted with imagery on the Ball Park electrical box.
The Venice Tigers, was our minor Pacific Coast League pro baseball team from 1913-14. Like their ballpark which was one block east, ours has grassy mounds and hard balls. The marble mosaic balls provide sculptural seating with Venice imagery. 2015 - present
Location: South Venice Boulevard @ Ocean & Mildred.
Each represents a wonder of Venice: historic live Camel rides, Sea Kelp, Italian Architecture - portrait from the Windward Colonnade, and Sea Anemone
Two foot diameter Marble mosaic spheres - urban sculptural seating 2015-present.
Pods an Interactive Macroscopic Sculptural Installation
2000 - present Cedarhurst Sculpture Park, Mitchell Museum, IL
1998 Laumeier Sculpture Park - Artist in Residence with Solo Gallery and Outdoor Exhibitions
steel reinforced concrete with luster interiors 5 Pods: hollow 3'-4' diameters 1998
"Robin Murez captures that wonder in her Pods...the power to amaze...that wonder that comes from looking at the coarse grey and black exteriors then discovering the interiors, where the glass is smooth and iridescent, with gold, silver and a myriad other colored highlights...resting inside are colored glass seeds that that look like magical pearls, released from some kind of super oyster. The glass pods are so visually appealing..."
Ivy Schroeder, The Riverfront Times, 11/25/98
Please see Blown Glass Pods
"Through direct observation of the natural world, Robin Murez has developed a unique language of natural forms. She observes the details and patterns occurring in nature and relates them to human feelings and emotions and, in doing so, enables us to experience nature in a highly personal way... Murez's Pods celebrate the discovery of unexpected beauty in the simple forms that surround us... The Pods release a flood of memories, images and associations and instruct us to look beyond the ordinary to find the truly extraordinary."
K. Adamchick, Curator's Statement, Laumeier Sculpture Museum 1998
Glass Pods
1998 Laumeier
Sculpture Museum
Honor:
Artist in Residence
with solo gallery
and one year outdoor
exhibition
A gallery installation of blown and cast glass Pods with silvered interiors.
3" to 1' organic hollow diameters with solid 1" cast glass seeds.
"Robin Murez captures that wonder in her Pods...the power to amaze...that wonder that comes from looking at the coarse grey and black exteriors then discovering the interiors, where the glass is smooth and iridescent, with gold, silver and a myriad other colored highlights...resting inside are colored glass seeds that that look like magical pearls, released from some kind of super oyster. The glass pods are so visually appealing..."
Ivy Schroeder, The Riverfront Times, 11/25/98
See Laumeier Pods
"Through direct observation of the natural world, Robin Murez has developed a unique language of natural forms. She observes the details and patterns occurring in nature and relates them to humanfeelings and emotions and, in doing so, enables us to experience nature in a highly personal way... Murez's Pods celebrate the discovery of unexpected beauty in the simple forms that surround us... The Pods release a flood of memories, images and associations and instruct us to look beyond the ordinary to find the truly extraordinary."
K. Adamchick, Curator's Statement, Laumeier Sculpture Museum 1998
The Saluki's
Southern Illinois University at Carbondale 2010
Male and Female Saluki's, the University mascot, are the main "photo op" for teams, students, alumni and visitors who all climb on top. The dogs sit on plinths above the grand stairway entrance to the new 80 million dollar athletic stadium complex.
Photo's: SIUC Alumni Association
The Venice Labyrinth
This is one of my Venice Neighborhood Ball Parks: the transformation of a blighted site in Venice into beautiful, interesting, safe & enjoyable neighborhood space.
For this site, owned by the adjacent church, the serene spiritual path fits conceptually and the in-ground form meets practical needs. Painting the church restored it's historic Craftsman style. The Mosaic Ball is both sculptural seating and a neighborhood marker.
Community, private & corporate involvement & funding 2010
Venice Labyrinth Has Some Churchgoers Balking At Circles
By Martha Groves, Los Angeles Times
May 4, 2010 12 AM PT
With its burned-out lawn and overgrown bushes, the corner lot next to Bethel Tabernacle Church in Venice struck sculptor Robin Murez as ripe for resurrection.
So Murez laid plans to turn the church-owned lot into a pocket park with an in-ground labyrinth, where neighbors could gather to chat, and aging churchgoers could park cars there during suppers and Bible study.
“A labyrinth is a very serene place made for spiritual meditation,” Murez said. “The neighborhood needs some healing. The site looked like a scar.”
After months of plotting and planting, the Oakwood Labyrinth at 6th and San Juan avenues was officially unveiled on Saturday — World Labyrinth Day.
Volunteers worked to build the decorative maze with concrete core samples, each of which was 12 inches tall and 6 inches in diameter and buried flush with the turf. Having personally invested hundreds of unpaid hours and thousands of dollars’ worth of materials, Murez speaks of the project with a mixture of exhaustion and pride.
But the lawyer-turned-artist has learned something about the community she thought she knew so well: Even if one’s aim is to improve an area that needs improving, not everyone will be thrilled with the results.
Although passers-by and many neighbors are delighted by the change, the dozen or so elderly churchgoers (oldest member: 94) remain divided on the merits.
“My neighbors told me it was a pagan-type thing,” said Carol Powell, a member who lives a few blocks from the church. “My concern is you don’t walk in a circle. You come inside the church to worship.”
In a neighborhood that has long struggled with gentrification, where million-dollar homes and quirky architectural wonders rise beside peeling bungalows, Murez’s offers of help met with some suspicion.
Pastor Harold G. Smith, who said he feels OK about the labyrinth, said some people have had “some problems with understanding its significance. But I need to help them understand that even if you don’t necessarily like it, you do need to appreciate people doing good things for you for free.”
Murez first broached the labyrinth idea last summer with Sammie Moore, or “Mother Moore,” as Bethel’s members call her. Moore was cleaning the church one Saturday when Murez cycled by.
Murez, who has long maintained a studio and outdoor sculpture garden on Abbot Kinney Boulevard, told Moore about her desire to create public green spaces.
“Robin has a special spirit,” Moore said, “and I was drawn to the idea.”
Moore and Smith said they have done their best to explain to the congregation the concept of a labyrinth as a path for personal, psychological and spiritual transformation. After all, one of the most famous prayer labyrinths, dating from about 1200, is embedded in the floor at Chartres Cathedral near Paris.
But Smith acknowledged that some church members remain confused. Since the labyrinth’s recent completion, he said, feedback has been “nil, zero, zilch.” Meanwhile, church member Powell said she was upset to learn recently that dancing would be part of the opening festivities.
The church got more than it expected out of the arrangement. A block away sits the green Craftsmanstyle house that Venice developer Abbot Kinney bequeathed to his African American chauffeur, Irving Tabor. With that for inspiration, Murez and volunteers painted the beige Craftsman-style church in several complementary shades of green.
Local plumbers, nurseries and stores provided laborers and pitched in with paint, queen palms and an automated sprinkler system.
Alyson Horn, who lives across the street, said the labyrinth “creates a feeling of community and … actually ends up making the area safer. It changes the energy.”
Next door, sculptor Woods Davy initially raised a fuss when landscape architects urged Murez to remove a tree that provided a privacy screen. Murez trimmed it instead, and Davy now says the freshly painted church is “absolutely beautiful.”
Martha Groves who covered the Westside for the Los Angeles Times, left the newsroom in 2015. A native Hoosier, she became a Metro reporter after many years as a Business writer and editor. She previously worked for the Philadelphia Inquirer and the late, lamented Chicago Daily News.
Treasure
A sculptural installation of giant blown glass "treasures" suspended in illuminated underground tunnel arches along 1000' of the MetroLink Subway."
50 Blown glass faceted 1' diameter "treasures" suspended on steel rods in illuminated underground tunnel arches along the MetroLink train line.
St. Louis, MO 1997
Treasure
A sculptural installation of giant blown glass "treasures" suspended in illuminated underground tunnel arches along 1000' of the MetroLink Subway."
"...fun, beautiful, and
compelling, "Treasure" is
great urban art."
Emily Blumenfeld
Curator, MetroLink
Arts In Transit 1997
Like "Raiders Of The Lost Arc," riding the subway becomes an exciting adventure, discovering mysterious, hidden underground "treasures" and...
As many architecturally significant buildings are being razed in St. Louis, "Treasure" is a mandate: to "treasure" the beauty of this historic tunnel, cut from stone by Civil War Veterans.
Tactile Painting
A public art project by Otis College of Art & Design for The Foundation for the Junior Blind. This rendering of Roy Lichtenstein's "Girl with Hair Ribbon," by an Otis graphic design major, brings a well known graphic style painting to the touch of the Junior Blind community. I mentored the Otis students in the concept, design, fabrication and installation of the artwork.
30 inches x 30 inches x 3 inches laser cut wood and pegboard 2013
Sculptural Chimes
The Sculptural Chimes are the primary element comprising a permanent Sensory Garden. Created by my students at Otis College of Art and Design for The Foundation for the Junior Blind, Los Angeles CA 2012
From an initial idea of hanging small chimes in a tree, I encouraged the Otis students to think on this architectural scale. I then led them in the design, fabrication, installation and presentation of the project. The Junior Blind community interacts with and enjoys the Chimes more than we ever anticipated.
The River Returns to LA Tijera Elementary School
A public art project by Otis College of Art & Design for La Tijera Elementary School. I mentored the Otis students in the concept, design and creation of the artwork. 2012
The eco-pigmented walkway at La Tijera School stimulates conversation about the importance of water, its’ beauty, and the river that once ran through the campus.
Paw Prints reference the schools beloved mascot: The Tiger.
Tiger Topiary
The Topiary is a public art project by Otis College of Art & Design for La Tijera Elementary School. It is a life size, permanent, green sculpture of the elementary schools beloved mascot.
I mentored the Otis students in the concept, design, fabrication and installation of the artwork.
5 feet tall x 6 feet long x 2 feet wide welded steel with creeping fig vine 2012
Otis College of Art & Design
"IT WAS THEIR PARADISE" THE 2016 PARADE CLASS
The community's Parade theme was: "Our special paradise, celebrating 75 years of Westchester." Chairpersons Choice Award
With our parade entry, we shed light on The Tongva Native Americans who lived and enjoyed this paradise long before its current inhabitants. The Tongva have been nearly anihilated.
We brought the concept to light by depicting the Tongva Turtle Story, which describes how California was created:
"Great Spirit looked down on earth and asked a sea turtle to gather his sisters and brothers, hold onto one another and not move. Great Spirit put soil on their backs. That formed California. But siblings tease and move about… and that’s why we have earthquakes in California."
6 giant reed & paper mache turtles with paper mache soil atop. The 6th turtle has icons of modern civilization atop its soil. Students paraded additional paper mache icons of paradise, as described by current Westchester residents.
Threatened Non Humans
Otis Creative Action / Public Art Class
"WE'RE SURROUNDED: ART & DESIGN FOR THREATENED NON HUMANS"
2014 Westchester Fourth of July Parade. Our class of just 8 students blossomed to 60 paraders to arouse public interest in the plight of Endangered Species. We transformed a golf cart into a rhinoceros with its symbiotic birds donned as hats by the rhino riders. We made a school of sharks & whales with friends on bicycles. Our condors danced the parade route to jungle music. Our armadillo wagon carried cnc cut endangered species swag. We costumed friends, faculty and students in abstract big heads, butterflies, a paper tiger, honeybees on stilts, and all wore our logo'd t-shirts, caps & banners. All biodegradable, recycled, paper mache & cardboard.
Westchester Parade Chairpersons Award Recipient 2014
2014 Westchester Fourth of July Parade. Our class of just 8 students blossomed to 60 paraders to arouse public interest in the plight of Endangered Species. We transformed a golf cart into a rhinoceros with its symbiotic birds donned as hats by the rhino riders. We made a school of sharks & whales with friends on bicycles. Our condors danced the parade route to jungle music. Our armadillo wagon carried cnc cut endangered species swag. We costumed friends, faculty and students in abstract big heads, butterflies, a paper tiger, honeybees on stilts, and all wore our logo'd t-shirts, caps & banners. All biodegradable, recycled, paper mache & cardboard.
Westchester Parade Chairpersons Award Recipient 2014
Otis 2017 Moving Art - 4th of July Parade
Parade Theme: An American Adventure
Otis Interpretation: America is a nation of immigrants. We dressed in cultural costumes, carried silhouette sculptures of favorite adventures, and, in several languages, we sang Woody Guthrie's classic ballad "This Land is Your Land."
Mayor's Choice Award
Otis "Moving Art" 2018
OUR ENTRY IN THE WESTCHESTER 4TH OF JULY PARADE
COMMUNITY PARADE THEME: "U.S. CITIES"
OUR INTERPRETATION: SHARING OUR LOVE WITH U.S. CITIES THAT EXPERIENCED UNTHINKABLE TRAGEDY THIS YEAR
Mayor's Choice Award Recipient
In lieu of selecting one city, as the community guidelines suggested, we chose several cities. This enabled the class to present several socially and politically relevant issues related to each of the cities represented, that have been in the news this year. Our big colorful flowers represent the love we share with all affected.
The cities we depicted & the tragedies they experienced are:
- CHARLOTTESVILLE, NC - KKK demonstration murdered a woman
- ORLANDO, FL - Mass shooting killed LBGTQ in dance club
- PARKLAND, FL - Mass shooting killed students at school
- FURGUSON, MO - Police killed unarmed black youth
- SAN JUAN, PR - Grossly inadequate U.S. response to hurricane damage
- RAINCOAT worn by First Lady visiting children taken from parents: "I really don't care, do you"
- FAIRBANKS, AK - Habitat destruction killing native animals
- FLINT, MI - Government caused & did not remedy polluted drinking water
- SHASTA, CA - Global warming destroying crobs
- EVERY CITY, USA - Landfills overloaded
- DENVER, CO - Denial of same sex wedding cake
- MC ALLEN, TX - Immigrant children taken from their families
The music we played and invited spectators to sing along was: Michael Jackson's "We Are The World"
Our use of flowers to symbolize love developed from a one day public art mural project that the class did as a fieldtrip. As part of "Venice Flowerfest 2018" we painted flowers on a graffiti wall, to add a layer of happiness. The students created stencils and painted freehand flowers that are found in Venice, CA.
Hometown Newspaper & Announcer Text
Just as the parade theme, "American Beach Party," was announced, a rusty pipe burst off the coast of Santa Barbara, spewing tons of raw oil onto our Pacific Coast. The tar killed sea life and birds and contaminated beaches from Santa Barbara to south of Los Angeles.
Our parade entry: "Whose Puppet?" raised questions of who is pulling the strings and making choices that determine the very existence of our "American Beach Party."
Our parade participants included fish, bird, and human puppets in a sea of blue and black (tar stained) umbrellas. Our giant hand dangled the globe on a string.
Our entry was 99% sustainable: made of re-used and biodegradable materials.
WATER THE ESSENCE OF LIFE
Otis College Of Art & Design
4th of July Parade 2022Chairpersons Choice Award
Hometown News & Parade Announcer Text
Now in our 7th parade, we are the Otis College of Art & Design “Moving Art” Creative Action class. 2022
As we celebrate the Best of America, we invite the community to explore: “WATER - THE ESSENCE OF LIFE.”
Our class works collaboratively in interdisciplinary teams. This year, our majors include: Digital Media, Fine Arts, Fashion and Environmental Design.
Otis College is ranked in the top one percent in “Diversity” AND is number 4 in Money Magazine’s “50 colleges that add the most value.”
99% of the materials used in creating our parade entry are recycled and biodegradable.
Please join us in celebrating WATER and addressing solutions for water preservation, reclamation, consumption, and the essential importance of water to our community and the world.
OTIS COLLEGE OF ART & DESIGN MOVING ART
The 4th of July Parade 2019
“One Love”
Chairpersons Choice Award
Community parade theme "America Better Together"
The People Projects
Like the cows of Chicago or Angels of Los Angeles, St. Louis corporations commissioned artists to create figurative sculptures.
I was invited to create ten sculptures, (far more than any other artist) for: Monsanto, The Fox Theatre, The Galleria, Commerce Bank, The Post Dispatch Newspaper and Anheuser Busch.
The City of St. Louis also commissioned me to paint my Bard and Mermaid on a public bus.
My People Project sculptures appeared extensively on television, the newspapers and magazines in St. Louis. 2001
Materials: required wooden mannequin (thus the awkward rigid forms), fiberglass, steel, copper, foam, plaster, coins, shells, fabric, a few plastic vines, pearls, and automotive paint.. One week constructions.
My Avatar
Self Portraits Exploring My Spirit and Aging
12" x 3" x 1" bronze or stainless steel with copper, glass, silver and textiles
Vermont Studio Center . Artist Residency 2008
I titled these prior to the film. The origin of the word, "avatar," is from Hindu mysticism and means an incarnate diety. In the Computer Age an avatar refers to a self portrait, as in the Second Life computer reality game... the existence of which, lets me feel my age.
DAMSELFLIES & MALEFLIES
Free Flight
A night luminous sculpture of 25 winged self portraits as a damselfly, free in flight. Cast luminous resin with flickering electroluminescent lighting light trails. 2007
Detail by daylight
Damselflies 2004 - Maleflies 2009 - Resin with Mylar
History: Mounted as A precious specimen.
Cold Cast Bronze, Resin, Wood, and Accupuncture
Needles from treatment for my broken heart. 2004
Lollipops
Sweet Self Portraits
Cast and Packaged for Burningman 2008
sugar, corn syrup & coconut flavoring
(L) in cellophane bag with printed label
2 1/2" tall x 1" wide x 1/2" deep on lollipop stick
And now in chocolate, too.
Embodiment of His Novel
EMBODIMENT OF HIS NOVEL
Bronze Lifecast 2005
A tribute to renown novelist, my step father, Raymond Federman, referencing his book
My Body in Nine Parts
For decades, Raymond Federman has been dazzling readers with his unique brand of “surfiction” – throwing words all over the page and inserting himself into every fiction, often through such zany alter egos as Moinous and Namredef. Now comes the greatest self referential work of all as Federman spins all manner of tales off various parts of his own body, recounting his childhood in France, adult life in the US, Jewish heritage, and career as a writer, with no effort made to distinguish between fact & fiction, memory & imagination. Previously published in France as Mon corps en neuf parties, Federman's masterpiece is now available for the first time in English, with augmented translation by the author and accompanied by ten photographs by photographer Steve Murez. GoodReads.com
Photo: Udo Hesse 1989
Swedish Mobile
Honor:
Invited Artist to Sweden
Swedish Govenment 1998
In 1998, I was an Invited Artist to Sweden, guest of the Swedish Government. I created a series of glass mobiles: "ribbons and spheres," for an exhibition culminating the visit.
Glass Blades
A macroscopic sculptural installation
Blown & Cast Glass with Steel 4' to 10' tall x 4" diameters
"Wonderful pieces"
Ivy Schroeder,
The Riverfront Times,
11/25/98
"Murez offers the most intriguing and freshest vision. Her glass sculptures accommodate the formalists among us as well as those interested in concept. Murez never forgets that while form and concept are important, both are made possible through the objects' distinct and sincere aesthetic pleasures. Quite simply, her forms are beautiful. While their success as art objects is not dependent on this, it is made all the more splendid because of it.
"The simplicity of the construction, coupled with the elegance of their design, renders these objects at once monolithic and delicate...imposing and yet, they seem fragile...The installation engulfs the space and leaves viewers with a recognition of their own bodies and their relationship to the work.
"These sculptures contain a simple, formal beauty that is compelling..."
John Wright, The Riverfront Times, 7/6/1997
Necklace of the Gods
Blown Glass on Steel 1999
Invitational Exhibitions:
The Atlanta Olympics 1996
The Glass Art Society - Boston 1997
10th Floor Invitational - 1st Place Award 1997
Springfield Art Museum 1997
Sunflower Installation, St Louis 1997
R. Duane Reed Gallery, St Louis 1997
City Museum, St Louis 1997-2000
Venice Art Walk 1999, 2002 & 2004
The Red Line Hearts
Blown glass on steel plates - 1890's Red Line Street Car ties, Venice, CA
each 8"x 8"x 3" Venice, CA 2003
Cells
Relief of cast glass cells
Each 3-4" diameter x 1/2" thick
Installed on 8' x 5' wall
Los Angeles, CA 2007
Facets
A suspended installation of 100 faceted prisms with natural and laser light projections creating a dance of light and color throughout the space below. Partial view
Pete & Tink's Hideaway
Burningman 2008
Postcards of Venice
Postcards of Venice, CA
4" x 6" ink & watercolor sketches of places in the neighborhood 2008
Fresco Paintings
Fresco Paintings


18" x 18" Venetian Marble 2014